Smart Objects In Photoshop

February 19, 2010 at 12:19 pm (computer art, Digital Art, graphic design, Ilustrator, Photoshop tips and tricks) (, , , , , , )

Advantages of Duplicating Smart Objects

I am putting lessons together for an upcoming advanced Photoshop / Illustrator class and was trying to come up with a way of delving into the pros and cons of Smart Objects, passing objects from Illustrator to Photoshop. The shapes began in Illustrator, then were brought into Photoshop as Smart Objects, allowing me to duplicate and rotate them, then make changes to the one object, ie: use Liquify Filter, dodge and burn, etc. which then updates all of the duplicated objects simultaneously. This can be very useful when using an object that needs to be repeated many times. Especially if it needs to be resized and rotated numerous times, which ensures that the crisp resolution is maintained.

This exercise will become a class lesson, which will demonstrate to students how to easily go back and forth between Illustrator and Photoshop, taking advantage of the strengths of each software to save time. For example, I never pick up the pen tool in Photoshop. I always jump over to Illustrator to draw the object because Illustrator allows me to add multiple fills and strokes, to offset stroke paths, to add numerous borders and brush strokes to paths, patterns, etc. It only takes seconds to cut and paste them into Photoshop where I can either place them as Smart Objects, shapes or pixels. I’ve now gotten in the habit of always opening both software and I hop back and forth as easily as if they were just two panels of the same program. It is effortless!

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